- #Canon eos cinema picture style manual
- #Canon eos cinema picture style pro
- #Canon eos cinema picture style plus
With auto you’re at the mercy of fluctuations in any given shot, as the system adjusts on the fly to various light and focal conditions. When I shoot video with the 70D I’m always in “Manual” (M) mode. If you want to simulate focus pulling, turn tracking back on and touch the foreground object. Now the camera will stay locked on your subject. The 70D will confirm tracking is switched off. Then deactivate auto-focus by touching the small icon on the lower left button on the LCD. Touch the subject on the LCD screen to achieve focus lock. The 70D might think you want to focus on the tree instead of your tiny subject, far in the distance. This can happen frequently especially when doing something artsy – maybe your subject is framed by a large object (a tree, for instance) in the foreground. But, as I’ve discovered, this can jump without notice to another object, often wrecking focus on a shot. A small green square appears to indicate the auto-focus target. By using facial identification and/or a combination of objects that take up the majority of the viewfinder, it will lock on what it thinks you are framing as the subject matter. Tracking – Know when to deactivate automatic subject trackingīy default the 70D will track subjects and keep them in focus. Here’s a few tips and various things I’ve learned: 1. There are some things to watch out for when shooting video with the (relatively) new Canon 70D. And, if I wish, I can use The Office/Duplass brothers’ zoom-in/zoom-out style and still have useable shots – the focus system in the 70D is just that fast. With the 70D a lot more of my shots are useable. A lot of my footage was lost due to the fact that the camera was hunting-and-pecking at any given time, trying desperately to find focus lock. But because I had to manually focus, or half-depress the shutter to get an auto-focus lock at any given moment, getting a final result required a lot of careful post production editing. Shooting interview with Canon EOS 70D, Rode Videomic Pro, Zoom H1s, Canon 18-135mm STM.
Recording artist Michelle Schmitt in her San Francisco studio.
#Canon eos cinema picture style pro
Paired with one of Canon’s ultra-quiet STM lenses, such as the 18-135mm that comes with one of the kits (and the one I frequently use), you get incredible accuracy, yet you can still use something like a Rode Videomic Pro without worrying about lens noise interfering with sound quality.
Using something called “phase detection” the sensor will track automatically, making minor focus changes. With the 70D you can opt to lock in to a subject by tapping the LCD viewfinder. Oh, and that glorious aforementioned auto-focus (the Canon has now adopted for their pro cinema C100 camera). So much so, that I’m considering putting my Blackmagic Cinema plans on hold… at least for now.Īnd did I mention the price? It’s a staggering bargain – incredible considering you get world-class design, durability, the famous EF mount.
#Canon eos cinema picture style manual
No question, in some cases (especially in low light) manual focus will still be preferred, but in my experience, shooting with the 70D over the past few months, I’ve found Canon’s new new dual pixel CMOS auto-focus system exemplary. How Good is the 70D for Video? Very, very good.
#Canon eos cinema picture style plus
But with something like the 70D you can have your cake and eat it too: you get the benefit of interchangeable lenses for that nice DSLR style look, plus you can follow a subject around and maintain focus without having to struggle to do it manually. That meant shooting run-and-gun videos or documentaries–situations where scenes typically can’t be controlled much and where focus pulling is out of the question–required a camcorder (Canon C100, for example). Pre-70D there was no real-time autofocus system available for DSLRs – at least not from Canon.
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